Showing posts with label flying. Show all posts
Showing posts with label flying. Show all posts

Tuesday, March 07, 2017

Flying Kangaroo

I thought I would set myself a little challenge. Last week I had an idea  for an animated sculpture that I would like to make one day - a flying kangaroo. 

Regular readers of this irregular blog know that I have a fascination for automata - figurative kinetic sculptures. I have attempted a few myself in the last couple of years, most successfully my diesel-punk fish which picked up the Highly Commended prize at the 2016 Martin Hanson Awards held at the Gladstone Qld Art Gallery. And then it also won the Peoples' Choice prize, which was not just a certificate, but actual cash!

So late last week I spent time at our local Rockhampton zoo, sketching the kangaroos, who were very obliging. I then started to work out how to mechanized a roo. 

After a few sketches I thought I would try a more finished illustration. I did an A4 pencil sketch, which I then inked and photographed.

 
 I imported the linework into Autodesk Sketchbook, With the lines on the top layer with a multiply setting (which makes all but the darkest parts - the lines - transparent to lower layers), I went about digitally painting it. There are plenty of chances to experiment with different brushes and try different effects, and you can be a bit less precious about each step because there is the wonderful undo function! A modern aeronautical approach to the design.

Then, for variety, I did a da Vinci-Punk version. In a week or two, the Rockhampton Art Gallery is hosting a display of working models of some of Leonardo's greatest inventions. Our gallery is a little small for the whole collection, so the flying machines will be displayed at the airport, enticing visitors to see the rest in town. I loosely traced over the original lines digitally, used my new grunge brushes and imported an original da Vinci drawing for a bit of added texture.


Finally I took my original sketch and coloured it with markers. It was actually a lot quicker than doing it digitally (although I am still learning the program), but, of course, there is no undo in real life!

So now, when it comes time to build the model, I have a choice of doing a sleek composite metal Airbus Industrie kangaroo, or a wooden and fabric da Vinci-punk version. And I daresay there are other design options to explore. How would an Art Nouveau one look? Or Art Deco/streamlined 1930's industrial design version go? Or a completely natural version, with fur and feathers? The sky, I guess, is the limit.

Friday, October 07, 2016

Fish on a Stick - Industrial Edition

How to make a Fish   

Way back in 2006 I worked for a signage company that had a lot of very cool toys, big CNC routers, a laser cutter, a vinyl plotter or two and several engraving machines. So much potential for creative work! So much mundane stuff actually produced... 

So I sometimes indulged my creativity with the odd lunchtime project. One of these was Fish on a Stick, which had a laser cut acrylic skeleton, a foam head, various plastic components and felt scales. He was a cartoony fish puppet and was a bit of fun to play with.


Fast forward 10 years. Since 2007 I have been doing youth work, and dabbling in creativity whenever the opportunity arose. In January 2016 I discovered  the Laser Cutting company in the town where I now live. I looked through my old files and found I still had the program for laser cutting the fish. I decided it was time for an update! I cleaned up the Corel file and sent it off to be cut.

 I dusted off my markers and did a sketch of a slightly more aggressive fish, something a bit more hard-edged and industrial.

I was going for a used, worn look, with a bit of a transition between steam and dieselpunk, somewhere in there.


 The laser cut plywood components. The original fish was made in plastics, but I wanted to use materials that were easier to work on at home.










Early assembly, showing the construction of the head.

 The head was shaped with expanding foam, the PVC piping was there to create the spaces for the eye holes. I replaced the PVC with brass plumbing fixtures, complete with glass marbles for eyes and LED's that could be flashed off and on.


Each bulkhead section of the fish's body was hinged to provide a fully articulated body.



 The various fins were created with brass strips and pieces of fabric from an old tent, soaked in superglue.



 The head section in the process of being painted. The foam was sealed with epoxy resin first, and then painted with acrylics,


 I wasn't happy with the bumps in the surface, so they were filled and sanded back, leading to the patchy colouring, which looked pretty cool, but I ended up painting over that and adding a black paint wash and gold rub 'n' buff to create a metal effect.
 The scales were created from aluminium slats from an old Venetian blind, which were cut, drilled, and lightly cooked with a small blow torch before being wired together and attached to the wooden skeleton.







The tail fins and the scales in place.


For display, I made a base which included vintage dials modified in Photoshop to display important readouts for Espieglerie Overflow and Aetheric Potentiality. I also prepared a dial for Bombacity Quotient but didn't use it.

The base became a sort of workhouse and a tiny worker is seen heading home after a long day working. So, is this a fish, or some sort of alternative reality airship? Possibly..

The mouth and flashing eyes can be operated by pulling a lever (a modified corkscrew) in the base.

I also made a pole which the fish sits on that you can walk around with. This lets you interact with people, with the fish in puppet mode. The tail swishes with a flick of the wrist and you can open the mouth and flash the eyes at will.

Check out the video too!



Monday, October 22, 2012

The Sky Shall Not Defeat Me!

The Sky Shall Not Defeat Me!

Last Thursday, my local library hosted illustrator and writer Gus Gordon as he talked about producing picture books. Mostly he showed us his new book, 'Herman and Rosie' and gave us a very interesting talk into what made up that book. It's a great book about music and being alone in a big city, and very evocative of New York. He made a lot of use of collage to enhance his crayon and wash illustrations, and so I thought I'd play around with adding textures to a drawing.

This is a recent sketch I've being working on, so I thought it would be ideal, as this week's challenge for Illustration Friday is 'Sky'. Our intrepid Aviator is ready to take on the sky on his own terms, determined and resolute, the Sky shall not defeat him this time...